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Neil LaBute Net Worth

Neil LaBute Net Worth

How rich is Neil LaBute?

Neil LaBute net worth:
$4 Million

Neil LaBute information

Neil LaBute information

Birth date: March 19, 1963
Birth place: Detroit, Michigan, U.S.
Height:6' (1.83 m)
Profession:Writer, Director, Producer

Neil LaBute profile links

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Neil LaBute Net Worth, Biography, Wiki 2017-2016

Acclaimed and highly discussed filmmaker Neil LaBute has made himself a force to be reckoned with and a name to watch. With his true-to-life cynical and self-absorbed characters and all-too-true social themes, he has firmly established himself as an unforgiving judge of the ugliest side of human nature. LaBute was originally a playwright. He ... Wikipedia

A bit more about Neil LaBute:

  • Filmography
  • Awards
  • Salaries
  • Facts
  • Quotes
  • Trademarks
  • Pictures


Writer

Writer

TitleYearStatusCharacter
Some Velvet Morning 2013
Some Girl(s) 2013 based on the stage play written by / screenplay by
My America 2012 TV Series 2 episodes
Double or Nothing 2012 Short writer
Stars in Shorts 2012
Denise 2012 Short
BFF 2012/I Short writer
Bench Seat 2011 Short
After-School Special 2011 Short written by
sexting 2010 Short written by
The Wicker Man 2006 screenplay - as Neil Labute
The Shape of Things 2003 play / screenplay
Possession 2002 screenplay
Bash: Latter-Day Plays 2001 TV Movie
Tumble 2000 Short
Your Friends & Neighbors 1998 written by
In the Company of Men 1997 play / screenplay
Black Chicks 2016 Short post-production
Good Luck: In Farsi Short post-production
10K 2017 Short
Van Helsing 2016 TV Series written by - 2 episodes
The Mulberry Bush 2016 Short writer
Billy & Billie TV Series 1 episode, 2016 created by - 10 episodes, 2015 writer - 10 episodes, 2015
Dirty Weekend 2015
My America 2014
It's Okay 2014 Short writer
Ten X Ten 2014 TV Mini-Series
Full Circle 2013 TV Series written by - 10 episodes

Producer

Producer

TitleYearStatusCharacter
Black Chicks 2016 Short executive producer post-production
Good Luck: In Farsi Short executive producer post-production
10K 2017 Short producer
Van Helsing 2016 TV Series executive producer - 13 episodes
Some Freaks 2016 executive producer
The Mulberry Bush 2016 Short producer
Billy & Billie 2015 TV Series executive producer - 10 episodes
Full Circle 2013 TV Series co-executive producer - 10 episodes
I Melt with You 2011 executive producer
The Vicious Kind 2009 executive producer
The Shape of Things 2003 producer

Director

Director

TitleYearStatusCharacter
Black Chicks 2016 Short post-production
10K 2017 Short
The Mulberry Bush 2016 Short
Billy & Billie 2015-2016 TV Series 11 episodes
Billions 2016 TV Series 1 episode
Hell on Wheels 2013-2015 TV Series 5 episodes
Dirty Weekend 2015
Ten X Ten 2014 TV Mini-Series
Some Velvet Morning 2013
Stars in Shorts 2012 segment director
BFF 2012/I Short
sexting 2010 Short
Death at a Funeral 2010
Lakeview Terrace 2008
The Wicker Man 2006
The Shape of Things 2003
Possession 2002
Bash: Latter-Day Plays 2001 TV Movie
Nurse Betty 2000
Tumble 2000 Short
Your Friends & Neighbors 1998
In the Company of Men 1997 as Neil Labute

Actor

Actor

TitleYearStatusCharacter
High School Spirits 1986 Kyle Skudstad

Thanks

Thanks

TitleYearStatusCharacter
The Danish Girl 2015 special thanks
The Wolf Knife 2010 special thanks
Cleanflix 2009 Documentary special thanks
The Open Road 2009 the director wishes to thank
Welcome to Lakeview Terrace: Behind the Scenes 2009 Video documentary short special thanks
Normal Adolescent Behavior 2007 thanks
The Motel 2005 thanks

Self

Self

TitleYearStatusCharacter
Glorious Things Are Sung of Zion 2013 Documentary Neil Labute
Mi reino por un caballo 2012 TV Series Himself
Raging Bull: Reflections on a Classic 2011 Video documentary short Himself
Made in Hollywood 2010 TV Series Himself
Cleanflix 2009 Documentary Himself - Director, In the Company of Men
Ànima 2009 TV Series Himself
Welcome to Lakeview Terrace: Behind the Scenes 2009 Video documentary short Himself
Tavis Smiley 2008 TV Series Himself
Channel 4 News 2008 TV Series Himself
Killer at Large 2008 Documentary Himself - Film Director / Author, Fat Pig
Trailers from Hell 2007 TV Series Himself
HypaSpace 2006 TV Series documentary Himself
Film Trix 2004 2004 Documentary short Himself
Nulle part ailleurs 2000 TV Series Himself
Charlie Rose 1997-1999 TV Series Himself - Guest / Himself
Independent's Day 1998 TV Movie documentary Himself

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2010 Jury Prize (Short Films) Montréal World Film Festival sexting (2010)
2003 Storyteller Award Taos Talking Picture Festival
1998 Independent Spirit Award Independent Spirit Awards Best First Screenplay In the Company of Men (1997)
1998 OFTA Film Award Online Film & Television Association Best First Feature Film In the Company of Men (1997)
1997 Jury Special Prize Deauville Film Festival In the Company of Men (1997)
1997 Fun Radio Trophy Deauville Film Festival In the Company of Men (1997)
1997 Channel 4 Director's Award - Special Mention Edinburgh International Film Festival In the Company of Men (1997)
1997 NYFCC Award New York Film Critics Circle Awards Best First Film In the Company of Men (1997)
1997 STFC Award Society of Texas Film Critics Awards Best Screenplay, Original In the Company of Men (1997)
1997 Filmmakers Trophy Sundance Film Festival Dramatic In the Company of Men (1997)

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2016 Jury Award Tribeca Film Festival Best Narrative Short The Mulberry Bush (2016)
2012 Jury Award Tribeca Film Festival Best Narrative Short BFF (2012)
2011 Short Filmmaking Award Sundance Film Festival US Fiction sexting (2010)
2010 First Prize (Short Films) Montréal World Film Festival sexting (2010)
2007 Razzie Award Razzie Awards Worst Screenplay The Wicker Man (2006)
2000 Palme d'Or Cannes Film Festival Nurse Betty (2000)
1998 CFCA Award Chicago Film Critics Association Awards Best Screenplay In the Company of Men (1997)
1998 Independent Spirit Award Independent Spirit Awards Best First Feature In the Company of Men (1997) · Mark Archer (producer)
· Stephen Pevner (producer)
1998 Golden Seashell San Sebastián International Film Festival Your Friends & Neighbors (1998)
1997 Grand Special Prize Deauville Film Festival In the Company of Men (1997)
1997 Grand Jury Prize Sundance Film Festival Dramatic In the Company of Men (1997)
1997 Golden Alexander Thessaloniki Film Festival In the Company of Men (1997)


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#Fact
1 He was nominated for a 2013 Equity Joseph Jefferson Award for New Adaptation for the play, "In the Company of Men" at the Profiles Theatre in Chicago, Illinois.
2 Nominated for the 2009 Tony Award for Best Play for "Reasons to Be Pretty".
3 His script for In the Company of Men (1997), began with the line "Let's hurt somebody" and developed from there.
4 He became friends with Aaron Eckhart at Brigham Young University. They have worked together at least five times: In the Company of Men (1997), Your Friends & Neighbors (1998), Nurse Betty (2000), Tumble (2000) and Possession (2002).
5 Father was a truck driver.
6 He was nominated for the 2001 London Evening Standard Theatre Award for Best Play for "The Shape of Things", performed at the Almeida Theatre.
7 He attended the University of Kansas and received his Masters degree in Theater and Film.
8 Attended Brigham Young University in Provo, Utah, and graduated with degrees in Theater and Film.

#Quote
1 The first great lesson I learned - many years ago - is be patient. The first play I had that was optioned by filmmakers was called "Rounder." It was a piece that eventually became the play "The Distance From Here." I waited a year for a film to get made, which never happened. I finally got frustrated enough to make my own film, In the Company of Men (1997) In a way, the second great lesson should read: Be impatient.
2 (On The Soft Skin) It's nice when somebody's actually so bold as to do something so obvious. We're always so worried about being so subtle, and "Oh, is this a cliché?" I think life is often a cliché; you find yourself in moments where you go, "If this was in a movie, people would say this is ridiculous, this is too much." And yet, it happens all the time.
3 My plays are polarizing. People love them or loathe them. I don't care which.
4 I don't shy away from subjects that come to me - and once I decide to do a subject, I don't pull back - but I'm not consciously stirring the pot or ripping stories out of the headlines to create tension and thus shine the light on me.
5 And I also don't think that my work will change your life. I think that at its best, it will raise new questions, give you an alternative view of something and perhaps over time that might lead you to greater understanding about something. But in terms of changing someone's opinion, that's a tall order and I don't see how, in an hour and a half or two hours, that's likely to happen.
6 I don't have a right way that I go about things. I'm not very good at working consistently... The actual planning out of something tends to go on in my head rather than me doing lines between things happening. I'm not good with a trail of Post-its to tell me what scene I need next. I like to finish a scene and then figure out what happens next and find my way to it. If it's not coming, then I walk away from it. I don't find great value in "I must write five pages everyday" because those five pages usually turn into place mats. There's nothing worse than staring at a blank screen and trying to be funny or profound or any of those things. It comes when it does.
7 Sometimes I think it's hard for an audience to know when to laugh. It's such an immediate and spontaneous response, and sometimes we're dictated by who we're with and the general public, and if everybody else is not laughing, it can sometimes quell the feeling inside you and you put a damper on it.
8 I think everybody has a place in an art gallery, they just should keep their mouths shut. They're free to walk around as long as they pay the price, I just don't think they should be dictating policy. I'm big on what the argument the film proposes about subjectivity about art itself. This... [picks up glass of water] can be art because you made it, or it can be a glass of water to me and I can think you're a loon for calling it art, and we could both be right.
9 But that's the beauty and the damning thing in theater, is that what you see will never be seen by anybody else on another night. And when it closes, it's gone. On film you can go back and watch it over and over, but it doesn't change.
10 [on why he writes his plays and screenplays with strong misanthropic tones] I take no pleasure in it, but I'm not afraid of it. Entertainment should be good, not nice and carefree.
11 I start writing about people. If they stay in the house, I say, "This is shaping up to be a play." If they go out to the car, to the grocery store, then I say, "I think it's going to be a film."

#Trademark
1 All his films usually consist of a cruel and vicious battle of the sexes with the men portraying unlikeable and trashy misogynists, and the women either crafty vixens or vulnerable victims.
2 Frequently casts Aaron Eckhart
Source: Celebrity Images

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