Home / Celebrity Net Worth / Actresses / Catherine Deneuve Net Worth
Catherine Deneuve Net Worth

Catherine Deneuve Net Worth, Biography, Wiki in 2017-2016

How rich is Catherine Fabienne Dorléac?

Catherine Fabienne Dorléac net worth:
$75 Million

Catherine Fabienne Dorléac information

Catherine Fabienne Dorléac information

Birth date: October 22, 1943
Birth place: Paris, France
Height:5' 6" (1.68 m)
Profession:Actress, Soundtrack, Producer
Spouse:David Bailey (photographer)

Catherine Fabienne Dorléac profile links

Catherine Fabienne Dorléac profile links

Mellody Hobson

Brian Urlacher

Farrah Abraham

John Legend

More net worths

Catherine Deneuve Net Worth, Biography, Wiki 2017-2016

Catherine Deneuve (French: [katʁin dənœv]; born 22 October 1943) is a French actress who gained recognition for her portrayal of aloof, mysterious beauties for various directors, including Luis Buñuel and Roman Polanski. She is a twelve-time Cesar Award nominee.Deneuve first came to prominence in Jacques Demy's 1964 film Les Parapluies de Cherbourg, before going on to star for Polanski in Repulsion (1965) and for Buñuel in Belle de Jour (1967) and Tristana (1970) She has won two César Awards for Best Actress for her performances in François Truffaut's Le Dernier Métro (1980) and Régis Wargnier's Indochine (1992). She also received a Best Actress Academy Award nomination for Indochine and a Best Actress BAFTA Award nomination for Belle de Jour. Her other films include The Hunger (1983), Place Vendôme (1998), Dancer in the Dark (2000) and 8 Women (2002). In 2008, she appeared in her 100th film, Un conte de Noël. Wikipedia

A bit more about Catherine Fabienne Dorléac:

  • Filmography
  • Awards
  • Salaries
  • Facts
  • Quotes
  • Trademarks
  • Pictures


Actress

Actress

TitleYearStatusCharacter
Manon 70 1968 Manon
The Diary of an Innocent Boy 1968 Anne de Clécy
Belle de Jour 1967 Séverine Serizy Belle de Jour
The Young Girls of Rochefort 1967 Delphine Garnier
The Creatures 1966 Mylène
A Matter of Resistance 1966 Marie
Le chant du monde 1965 Clara
Das Liebeskarussell 1965 Angela Claasen
Repulsion 1965 Carol
Les petits chats 1965
La costanza della ragione 1964 Lori
Male Companion 1964 Isabelle
Male Hunt 1964 Denise Heurtin
Les plus belles escroqueries du monde 1964 Swindler (segment "L'homme qui vendit la Tour Eiffel")
The Umbrellas of Cherbourg 1964 Geneviève Emery
Vacances portugaises 1963 Catherine
Le vice et la vertu 1963 Justine Morand, la vertu
Et Satan conduit le bal 1962 Manuelle
Ça c'est la vie 1962 Short
Tales of Paris 1962 Sophie (segment "Sophie")
Les portes claquent 1960 Dany
L'homme à femmes 1960 Catherine
Les collégiennes 1957 Une grande (as Catherine Dorléac)
Bonne Pomme 2017 post-production Barbara
Sage femme 2017 completed Béatrice Sobolevski
Tout nous sépare 2017 post-production
Le cancre 2016 Marguerite
Le tout nouveau testament 2015 Martine
La tête haute 2015 La juge des enfants Florence Blaque
3 coeurs 2014 Madame Berger
L'homme qu'on aimait trop 2014 Renée Le Roux
Dans la cour 2014 Mathilde
Elle s'en va 2013 Bettie
Astérix and Obélix: God Save Britannia 2012 Reine Cordelia
As Linhas de Torres Vedras 2012 TV Mini-Series Severina
Linhas de Wellington 2012 Severina
O Theos agapaei to haviari 2012 Empress Catherine II of Russia
Beloved 2011 Madeleine
Les yeux de sa mère 2011 Lena Weber
Potiche 2010 Suzanne Pujol
L'homme qui voulait vivre sa vie 2010 Anne
Hidden Diary 2009 Martine
Park Benches 2009 La cliente à la petite armoire
The Girl on the Train 2009 Louise
Cyprien 2009 Vivianne Wagner
Mes stars et moi 2008 Solange Duvivier
Je veux voir 2008 L'actrice célèbre
A Christmas Tale 2008 Junon Vuillard
Frühstück mit einer Unbekannten 2007 TV Movie Elegante Dame
Persepolis 2007 Mom (French, English version, voice)
Après lui 2007 Camille
Le héros de la famille 2006 Alice Mirmont
Nip/Tuck 2006 TV Series Diana Lubey
Le concile de pierre 2006 Sybille Weber
Palais royal! 2005 Eugénia
Changing Times 2004 Cécile
Kings & Queen 2004 Mme Vasset
Princesse Marie 2004 TV Movie Marie Bonaparte
Um Filme Falado 2003 Delfina
Dangerous Liaisons 2003 TV Mini-Series Marquise Isabelle de Merteuil
Au plus près du paradis 2002 Fanette
8 femmes 2002 Gaby
Le petit poucet 2001 La reine
The Musketeer 2001 The Queen
Absolument fabuleux 2001 Une spectatrice du défilé
Je rentre à la maison 2001 Marguerite
Dancer in the Dark 2000 Kathy
Est - Ouest 1999 Gabrielle Develay
Marcel Proust's Time Regained 1999 Odette de Crecy
Pola X 1999 Marie
Belle maman 1999 Léa
Le vent de la nuit 1999 Hélène
Place Vendôme 1998 Marianne Malivert
Sans titre 1997/I Short
Généalogies d'un crime 1997 Jeanne / Solange
Court toujours: L'inconnu 1996 TV Short Marianne
Thieves 1996 Marie Leblanc
The Convent 1995 Hélène
One Hundred and One Nights 1995 La star-fantasme
La partie d'échecs 1994 Marquise
Ma saison préférée 1993 Emilie
Indochine 1992 Eliane
La reine blanche 1991 Liliane Ripoche
Drôle d'endroit pour une rencontre 1988 France
Fréquence meurtre 1988 Jeanne Quester
Agent trouble 1987 Amanda Weber
Scene of the Crime 1986 Lili Ravenel
Speriamo che sia femmina 1986 Claudia
Paroles et musique 1984 Margaux
Fort Saganne 1984 Louise
Le bon plaisir 1984 Claire Després
The Hunger 1983 Miriam Blaylock
L'Africain 1983 Charlotte
Le choc 1982 Claire
Hôtel des Amériques 1981 Hélène
Choice of Arms 1981 Nicole Durieux
Je vous aime 1980 Alice
Le dernier métro 1980 Marion Steiner
Écoute voir... 1979 Claude Alphand
Courage fuyons 1979 Eva
À nous deux 1979 Françoise
Ils sont grands, ces petits 1979 Louise Mouchin
L'argent des autres 1978 Cécile Rainier
Casotto 1977 La donna del sogno
March or Die 1977 Simone Picard
Anima persa 1977 Sofia Stolz
Si c'était à refaire 1976 Catherine Berger
Hustle 1975 Nicole Britton
Le sauvage 1975 Nelly
L'agression 1975 Sarah
Zig-Zag 1975 Marie
La femme aux bottes rouges 1974 Françoise LeRoi
The Murri Affair 1974 Linda Murri Bonmartini
Don't Touch the White Woman! 1974 Marie-Hélène de Boismonfrais
L'événement le plus important depuis que l'homme a marché sur la lune 1973 Irène de Fontenoy
Un Flic 1972 Cathy
Liza 1972 Liza
It Only Happens to Others 1971 Catherine
Donkey Skin 1970 La princesse / La reine bleue
Tristana 1970 Tristana
Tout peut arriver 1969 Catherine, l'actrice (uncredited)
Mississippi Mermaid 1969 Julie Roussel Marion Vergano
The April Fools 1969 Catherine Gunther
Heartbeat 1968 Lucile
Mayerling 1968 Maria Vetsera

Soundtrack

Soundtrack

TitleYearStatusCharacter
Beloved 2011 performer: "Tout Est Si Calme", "Une Fille Legere", "Je Ne Peux Vivre Sans T Aimer"
Potiche 2010 performer: "C'est beau la vie", "C'est Beau la Vie"
Le héros de la famille 2006 performer: "Ho capito che ti amo"
8 femmes 2002 performer: "Toi jamais" You Never
Dancer in the Dark 2000 performer: "CVALDA", "MY FAVOURITE THINGS"
Belle maman 1999 performer: "Marcia Baila", "Joyeux anniversaire Maman"
Ma saison préférée 1993 performer: "Les Trappeurs De L'Alaska"
Je vous aime 1980 performer: "Dieu fumeur de Havanes"
Courage fuyons 1979 performer: "Lady from Amsterdam"
Zig-Zag 1975 performer: "Zig Zig", "Cette étoile, mon étoile"
The Young Girls of Rochefort 1967 performer: "Chanson Des Jumelles", "De Delphine à Lancien", "Chanson De Delphine", "De Hambourg à Rochefort", "Les Rencontres", "Chanson D'un Jour D'été", "Toujours, Jamais" - uncredited

Producer

Producer

TitleYearStatusCharacter
Drôle d'endroit pour une rencontre 1988 producer
Zig-Zag 1975 producer - uncredited

Thanks

Thanks

TitleYearStatusCharacter
Saint Laurent 2014 the director wishes to thank
David Bailey: Four Beats to the Bar and No Cheating 2010 Video documentary special thanks
De Serge Gainsbourg à Gainsbarre de 1958 - 1991 1994 Video documentary thanks

Self

Self

TitleYearStatusCharacter
Take the Boat 2015 Documentary
Charlie Rose 1995-2014 TV Series Herself - Guest
Días de cine 1995-2014 TV Series Herself
The 2013 European Film Awards 2013 TV Movie Herself - Winner European Film Academy Lifetime Achievement Award
20 heures le journal 2007-2013 TV Series Herself
Le petit journal 2011-2013 TV Series Herself
Gala de l'union 1971-2013 TV Series Herself / Herself - Host
Close Up 2012 Documentary Herself
Catherine Deneuve Rive Gauche 2012 Documentary short Herself
34-y Moskovskiy mezhdunarodnyy kinofestival 2012 TV Special Herself
Cinema 3 1995-2011 TV Series Herself
Wetten, dass..? 1992-2011 TV Series Herself
The Late Late Show with Craig Ferguson 2011 TV Series Herself - Guest
Empreintes 2011 TV Series documentary Herself
La nuit des Césars 1978-2011 TV Series documentary Herself / Herself - Winner: Best Leading Actress / Herself - La présidente des Césars / ...
Tetsuko no heya 2011 TV Series Herself
Lescure: Tôt ou tard 2010 TV Series Herself
Catherine Deneuve, belle et bien là 2010 TV Movie documentary Herself
Bill Cunningham New York 2010 Documentary Herself
David Bailey: Four Beats to the Bar and No Cheating 2010 Video documentary Herself
The Second Abu Dhabi Film Festival Awards 2008 TV Special Herself
Il était une fois... 2008 TV Series documentary Herself
Ce soir (ou jamais!) 2007 TV Series Herself
Danielle Darrieux, une vie de cinéma 2007 TV Movie Herself
Marc Jacobs & Louis Vuitton 2007 TV Movie documentary Herself
The 79th Annual Academy Awards 2007 TV Special Herself - Co-Presenter: Foreign-Language Films Montage
Caiga quien caiga 2007 TV Series Herself
Celebration 2007 Documentary Herself
Cómo conseguir un papel en Hollywood 2007 TV Movie documentary Herself (uncredited)
Corazón de... 2005-2006 TV Series Herself
The 63rd Annual Golden Globe Awards 2006 TV Movie documentary Herself - Presenter
2005 Women's World Awards 2005 TV Special Herself
Histoire(s) d'Elle 2005 TV Movie documentary
L'hebdo cinéma 2005 TV Series documentary Herself
Les enfants de la télé 2005 TV Series Herself
HARDtalk Extra 2005 TV Series Herself
Richard & Judy 2005 TV Series Herself
Friday Night with Jonathan Ross 2005 TV Series Herself
French Beauty 2005 TV Movie documentary Herself
Les vacances de Noël 2005 Herself
Campus, le magazine de l'écrit 2004 TV Series documentary Herself
Tage und Nächte in Paris 2004 TV Movie documentary Herself
The Money Programme 2004 TV Series documentary Herself
François Truffaut, une autobiographie 2004 TV Movie documentary Herself
The Best of 'So Graham Norton' 2004 Video Herself
20h10 pétantes 2004 TV Series Herself
Le génie français 2003 TV Series documentary Herself - Host
Claude Berri, le dernier nabab 2003 TV Movie documentary Herself
Yves Saint Laurent - Le temps retrouvé 2002 Documentary Herself (uncredited)
V Graham Norton 2002 TV Series Herself
La semaine du cinéma 2002 TV Series Herself
Les 13 vies du chat Lelouch 2002 TV Movie documentary Herself
The 74th Annual Academy Awards 2002 TV Special Herself (taped)
Exclusif 2002 TV Series Herself
Yves Saint Laurent 5 avenue Marceau 75116 Paris 2002 Documentary Herself
Mundo VIP 2001 TV Series Herself
Nuages: Lettres à mon fils 2001 Documentary Narrator (French language version) / Récitante
Choreography: Creating Vincent Paterson's Dance Sequences 2000 Video documentary short Herself (uncredited)
Von Trier's 100 øjne 2000 Documentary Herself
Nulle part ailleurs 2000 TV Series Herself
Brigitte & Friends 2000 TV Series Herself
So Graham Norton 2000 TV Series Herself
The Book That Wrote Itself 1999 Herself
Bravo Profiles: The Entertainment Business 1998 TV Mini-Series documentary Herself
100 films par 100 personnalités 1998 TV Series Herself
Pierre and Gilles, Love Stories 1997 Documentary Herself
Le journal de 20 heures 1997 TV Series Herself
Les Enfoirés 1997 TV Series Herself
Elle s'appelait Françoise 1996 TV Movie documentary Herself
Lo + plus 1996 TV Series Herself
L'avortement 1974 1996 TV Movie documentary Herself
Die Harald Schmidt Show 1995 TV Series Herself
Siskel & Ebert 1995 TV Series Herself
¿Qué apostamos? 1995 TV Series Herself
The World of Jacques Demy 1995 Documentary Herself
Cinéma, de notre temps 1995 TV Series documentary Herself
Les demoiselles ont eu 25 ans 1993 Documentary Herself
Le cercle de minuit 1993 TV Series Herself
The 65th Annual Academy Awards 1993 TV Special Herself - Nominated: Best Actress in a Leading Role & Presenter: Best Costume Design
The 50th Annual Golden Globe Awards 1993 TV Special Herself - Presenter
Momentos de Glória 1993 TV Series Herself (1993)
Querida Concha 1992 TV Series Herself
The Tonight Show with Jay Leno 1992 TV Series Herself
Primero izquierda 1991 TV Series Herself
Contre l'oubli 1991 Herself (segment "Pour Febe Elisabeth Velasquez, El Salvador")
Aspel & Company 1991 TV Series Herself
365 meres gennisi 1991 TV Movie Herself
Cinéma cinémas 1984-1990 TV Series documentary Herself
La parada 1990 TV Series Herself
Helmut Newton: Frames from the Edge 1989 Documentary Herself
AFI Life Achievement Award: A Tribute to Barbara Stanwyck 1987 TV Special documentary Herself (uncredited)
Hour Magazine 1986 TV Series Herself
Àngel Casas Show 1986 TV Series Herself
C'est encore mieux l'après-midi 1986 TV Series Herself
Champs-Elysées 1984-1986 TV Series Herself
Platine 45 1984 TV Series Herself
Arena 1984 TV Series documentary Herself
Mardi cinéma 1983 TV Series documentary Herself
Ciné regards 1981 TV Series documentary Herself
Numéro 1 1980-1981 TV Series Herself
Reporters 1981 Documentary Herself
The Tonight Show Starring Johnny Carson 1981 TV Series Herself - Guest
Les nouveaux rendez-vous 1980 TV Series Herself
Stars 1980 TV Series Herself
Les rendez-vous du dimanche 1979 TV Series Herself
Monsieur Cinéma 1979 TV Series Herself
V.I.P.-Schaukel 1977 TV Series documentary Herself
L'homme en question 1976 TV Series Herself
Apropos Film 1975 TV Series documentary Herself
Le dernier cri des Halles 1973 Short documentary Herself
Omnibus 1973 TV Series documentary Herself
Paris aktuell 1970 TV Series documentary Herself
Langlois 1970 Documentary Herself
Vienna: The Years Remembered 1968 Documentary short Herself (uncredited)
Pariser Journal 1968 TV Series documentary Herself
Dim Dam Dom 1966-1967 TV Series Herself
Derrière l'écran 1966 TV Series Herself
Grand écran 1964 TV Series documentary Herself
4 fois D 1964 Documentary short Herself
Cinépanorama 1962 TV Series documentary Herself

Archive Footage

Archive Footage

TitleYearStatusCharacter
Vadim Mister Cool 2016 TV Movie Herself
Le grand show 2016 TV Series Herself
Cuéntame 2016 TV Series Herself
Personne ne bouge! 2015 TV Series documentary Herself
Warren Beatty, une obsession hollywoodienne 2015 TV Movie documentary Herself
Tellement Gay! Homosexualité et pop culture 2015 TV Mini-Series documentary Miriam Blaylock
Ochéntame... otra vez 2015 TV Series documentary Herself
François Truffaut l'insoumis 2014 TV Movie documentary Herself
The Frame 2013 TV Series Miriam Blaylock
Arena 2012 TV Series documentary
Roman Polanski: A Film Memoir 2011 Documentary Herself
59 Festival de Cine de San Sebastián - Gala de clausura 2011 TV Movie Herself
D'un film à l'autre 2011 Documentary Herself
Images de femmes ou Le corset social 2011 Documentary Herself
L'amour fou 2010/II Documentary Herself
Lafayette: The Lost Hero 2010 TV Movie documentary Herself
P.O.V. 2010 TV Series documentary Herself
Ces amours-là 2010 Cameo appearance (uncredited)
Gilles Jacob: CIitizen Cannes 2010 TV Movie documentary Herself
Never Sleep Again: The Elm Street Legacy 2010 Video documentary Herself (uncredited)
Saucy 70's Volume 2 2010 Video documentary
Empreintes 2010 TV Series documentary Herself
Hors Série 2010 TV Series documentary Herself
Cinéman 2009 Herself (uncredited)
Irène 2009
Philippe Noiret: Gentleman saltimbanque 2009 TV Movie documentary Herself (uncredited)
Les plages d'Agnès 2008 Documentary Herself
Génération duo 2008 TV Movie Herself
1 quart de 3 2008 TV Series Herself
Roman Polanski: Wanted and Desired 2008 Documentary Herself / Carole Ledoux
Sa raison d'être 2008 TV Movie Herself (uncredited)
Cámara negra. Teatro Victoria Eugenia 2007 TV Short documentary Herself
La tele de tu vida 2007 TV Series Herself
Ein Leben wie im Flug 2007 TV Movie Herself
Schau mir in die Augen, Kleiner 2007 Documentary Gaby (uncredited)
On n'est pas couché 2006 TV Series Herself
Premio Donostia a Matt Dillon 2006 TV Special Herself
Premio Donostia a Max Von Sydow 2006 TV Special Herself
Marcello, una vita dolce 2006 Documentary Herself
Mag Bodard, un destin 2005 TV Movie documentary Herself
Cinema mil 2005 TV Series Herself
Les 40 ans de la 2 2004 TV Movie documentary Herself
Graffiti 60 2004 TV Mini-Series documentary Herself
Celebrity Naked Ambition 2003 TV Movie documentary
The Son of Samsonite 2002 Short Catherine
The Kid Stays in the Picture 2002 Documentary Herself
Hollywood Remembers 2000 TV Series documentary
... y otras mujeres de armas tomar 1998 TV Movie documentary Herself
François Chalais, la vie comme un roman 1997 TV Movie documentary Herself
François Truffaut: The Man Who Loved Cinema - Love & Death 1996 TV Movie documentary Herself
Empire of the Censors 1995 TV Movie documentary Herself
De Serge Gainsbourg à Gainsbarre de 1958 - 1991 1994 Video documentary segment "Dieu fumeur de Havanes"
François Truffaut: Portraits volés 1993 Documentary Herself
Vivement Truffaut 1985 TV Movie documentary Herself / Marion
Margret Dünser, auf der Suche nach den Besonderen 1981 TV Movie documentary Herself

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2015 Honorary Award Antalya Golden Orange Film Festival
2015 Lifetime Achievement Award Dubai International Film Festival
2015 Douglas Sirk Award Hamburg Film Festival
2015 Christina Hassell Lifetime Achievement Award Hawaii European Cinema Film Festival
2013 Best Actress Cabourg Romantic Film Festival Coup de Coeur Elle s'en va (2013)
2013 Lifetime Achievement Award European Film Awards
2012 Gala Tribute Film Society of Lincoln Center
2012 Stanislavsky Prize Moscow International Film Festival

For the outstanding achievement in the career of acting and devotion to the principles of K. ... More

2011 Grand Prix Special des Amériques Montréal World Film Festival
2009 Taormina Arte Award Taormina International Film Festival
2008 EDA Female Focus Award Alliance of Women Film Journalists Actress Defying Age and Ageism Un conte de Noël (2008)
2008 EDA Female Focus Award Alliance of Women Film Journalists Lifetime Achievement Award
2008 Special Award Cannes Film Festival
2008 Lifetime Achievement Award Transilvania International Film Festival
2006 Golden Kinnaree Career Achievement Award Bangkok International Film Festival
2006 Special Artistic Achievement Award Shanghai International Film Festival
2005 Honorary Golden Palm Cannes Film Festival
2002 Silver Berlin Bear Berlin International Film Festival Outstanding Artistic Achievement 8 femmes (2002) · Fanny Ardant
· Emmanuelle Béart
· Danielle Darrieux
· Isabelle Huppert
· Virginie Ledoyen
· Firmine Richard
· Ludivine Sagnier
2002 European Film Award European Film Awards European Actress 8 femmes (2002) · Isabelle Huppert
· Emmanuelle Béart
· Fanny Ardant
· Virginie Ledoyen
· Danielle Darrieux
· Ludivine Sagnier
· Firmine Richard
2001 Bambi Bambi Awards Film - International Est - Ouest (1999)
2000 Actor's Mission Award Art Film Festival
2000 International Filmmaker Award Palm Springs International Film Festival
1999 Silver Medallion Award Telluride Film Festival, US
1998 Honorary Golden Berlin Bear Berlin International Film Festival
1998 Volpi Cup Venice Film Festival Best Actress Place Vendôme (1998)
1997 Honorary Prize Moscow International Film Festival For the contribution to the cinema
1995 Donostia Lifetime Achievement Award San Sebastián International Film Festival
1994 Golden Camera Golden Camera, Germany Best International Actress Ma saison préférée (1993)
1993 César César Awards, France Best Actress (Meilleure actrice) Indochine (1992)
1993 International Award Women in Film Crystal Awards
1981 César César Awards, France Best Actress (Meilleure actrice) Le dernier métro (1980)
1981 David David di Donatello Awards Best Foreign Actress (Migliore Attrice Straniera) Le dernier métro (1980)
1976 Bambi Bambi Awards Film - International Le sauvage (1975) · Yves Montand

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2016 César César Awards, France Best Actress (Meilleure actrice) La tête haute (2015)
2015 César César Awards, France Best Actress (Meilleure actrice) Dans la cour (2014)
2014 César César Awards, France Best Actress (Meilleure actrice) Elle s'en va (2013)
2014 Lumiere Award Lumiere Awards, France Best Actress (Meilleure actrice) Elle s'en va (2013)
2012 Lumiere Award Lumiere Awards, France Best Actress (Meilleure comédienne) Les bien-aimés (2011) · Chiara Mastroianni
2011 César César Awards, France Best Actress (Meilleure actrice) Potiche (2010)
2009 Movies for Grownups Award AARP Movies for Grownups Awards Best Actress Un conte de Noël (2008)
2009 Globe de Cristal Globes de Cristal Awards, France Best Actress (Meilleure actrice) Un conte de Noël (2008)
2008 Satellite Award Satellite Awards Best Actress in a Motion Picture, Comedy or Musical Un conte de Noël (2008)
2006 César César Awards, France Best Supporting Actress (Meilleure actrice dans un second rôle) Palais royal! (2005)
2001 Golden Satellite Award Satellite Awards Best Performance by an Actress in a Supporting Role, Drama Dancer in the Dark (2000)
1999 César César Awards, France Best Actress (Meilleure actrice) Place Vendôme (1998)
1997 César César Awards, France Best Actress (Meilleure actrice) Les voleurs (1996)
1994 César César Awards, France Best Actress (Meilleure actrice) Ma saison préférée (1993)
1993 Oscar Academy Awards, USA Best Actress in a Leading Role Indochine (1992)
1989 César César Awards, France Best Actress (Meilleure actrice) Drôle d'endroit pour une rencontre (1988)
1988 César César Awards, France Best Actress (Meilleure actrice) Agent trouble (1987)
1982 César César Awards, France Best Actress (Meilleure actrice) Hôtel des Amériques (1981)
1976 César César Awards, France Best Actress (Meilleure actrice) Le sauvage (1975)
1970 Golden Laurel Laurel Awards Female Star 15th place.
1969 BAFTA Film Award BAFTA Awards Best Actress Belle de jour (1967)

3rd place awards

3rd place awards

YearAwardCeremonyNominationMovieAward shared with
1965 NYFCC Award New York Film Critics Circle Awards Best Actress Repulsion (1965)

TitleSalary
Elle s'en va (2013) €300 000
Astérix & Obélix: Au service de sa Majesté (2012) €300 000
Les bien-aimés (2011) €300,000
Les yeux de sa mère (2011) €300,000
L'homme qui voulait vivre sa vie (2010) €250,000
Potiche (2010) €250,000
Le concile de pierre (2006) 215,000 euros
Princesse Marie (2004) 610.000 euros
Nip/Tuck (2003) $40 .000
8 femmes (2002) 457,000 euros + 9% of the gross
Est - Ouest (1999) 274.000 euros
Le temps retrouvé, d'après l'oeuvre de Marcel Proust (1999) 305,000 euros
Pola X (1999) 274.000 euros
Belle maman (1999) 610,000 euros
Le vent de la nuit (1999) 381.000 euros
Place Vendôme (1998) 480.000 euros
Indochine (1992) FRF2,700,000

#Fact
1 Was the 4th French actress (out of 7) to be nominated for an Academy Award for a French-language performance. The others in chronological order are Anouk Aimée, Isabelle Adjani, Marie-Christine Barrault, Marion Cotillard, Emmanuelle Riva and Isabelle Huppert.
2 Her first boyfriend went to war in Algeria.
3 Intensely private about her personal life and has not been publicly linked with anyone since splitting from Pierre Lescure in 1991. Spring 2000 gossip reports claimed her beau was a 25-year-old technician she'd met on a recent film, but no writers seemed to know his name.
4 Has a tribal tattoo on the back of her neck.
5 Is wary about tributes and career achievement honors, believing they tend to represent "something very final".
6 Put her countryside estate Château de Primard in Normandy on the market for £3,990,000. [June 2014]
7 Received the European Film Academy's Lifetime Achievement Award. [December 2013]
8 A fan of actresses Cate Blanchett, Cameron Diaz, Kristen Stewart and Kate Winslet.
9 Attended Catholic schools up to the age of twelve.
10 Her interests include gardening, drawing, photography, reading, music, cinema, fashion, antiques and decoration.
11 Recipient of the Film Society of Lincoln Center's Chaplin Award. [April 2012]
12 Used hypnotherapy to quit a three-packs-a-day smoking habit in 1985. Started again in 1996.
13 Parodied by Nora Dunn on Saturday Night Live (1975).
14 As of 2016, she has starred in 11 films that were screened in the official competition of the Cannes Film Festival. Her last film in competition was A Christmas Tale (2008) in 2008.
15 As of 2017, she has 14 César Awards nominations; 13 nominations for Best Actress and one for Best Supporting Actress. She won twice; in 1981 and 1993. She's the second-most nominated actress, only behind Isabelle Huppert, with 16 nominations.
16 Is one of 13 French actresses to have received an Academy Award nomination. The others in chronological order are: Claudette Colbert, Colette Marchand, Leslie Caron, Simone Signoret, Anouk Aimée, Isabelle Adjani, Marie-Christine Barrault, Juliette Binoche, Marion Cotillard, Bérénice Bejo, Emmanuelle Riva and Isabelle Huppert.
17 Drives an Audi.
18 In early life she had aspirations to be an interior designer or an archaeologist.
19 1995: Sued the San Francisco-based lesbian magazine "Deneuve", contending trademark infringement among other things. The magazine's title was changed to Curve.
20 Was a contender for the role of Lillian Morelli in Bobby Deerfield (1977), which went to Marthe Keller.
21 Considered for the role of Madame Maxime on Harry Potter and the Goblet of Fire (2005), but role went to Frances de la Tour.
22 She was awarded a Golden Palm Star on the Palm Springs Walk of Stars on January 18, 2000.
23 Her performance as Séverine Sérizy in Belle de Jour (1967) is ranked #59 on Premiere Magazine's 100 Greatest Performances of All Time.
24 Received the Honorary Award at the San Luis Cine International Festival. [November 2007]
25 Cohabited with Hugh Johnson, a longtime associate of the Scott brothers who worked as a cameraman on The Hunger (1983).
26 President of the Official Competition jury at the 63rd Venice International Film Festival. [2006]
27 At one point, was interested in starring in a screen adaptation of Anna Karenina.
28 Refused a supporting role in Basic Instinct 2 (2006), which went to Charlotte Rampling.
29 Refused the role of Bond girl Tracy DiVicenzo in On Her Majesty's Secret Service (1969), which went to Diana Rigg.
30 Auditioned for the role of Francesca Johnson in The Bridges of Madison County (1995), which instead went to Meryl Streep.
31 Would have starred in a movie version of Ronald Kirkbride's novel "The Short Night" for Alfred Hitchcock, but the project was canceled during early pre-production stages in 1979 due to Hitchcock's declining health (he died the following year).
32 Refused the role of Caterine Vauban in I Heart Huckabees (2004), which went to Isabelle Huppert.
33 Has five grandchildren: Igor (b. September 18, 1987) from son Christian Vadim and ex-girlfriend Hortense Divetain; Milo (b. December 31, 1996) from daughter Chiara Mastroianni and ex-boyfriend Pierre Thoretton; Anna (b. April 22, 2003) from Chiara and ex-husband Benjamin Biolay; Lou (b. April 5, 2010) and Mona (b. January 2012) from Christian and longtime girlfriend Julia Livage.
34 As of the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), she ties, with Mae Marsh (most of whose performances amount to cameos), as the most represented actress with 7 films. Included are the Deneuve films The Umbrellas of Cherbourg (1964), Repulsion (1965), The Young Girls of Rochefort (1967), Belle de Jour (1967), Tristana (1970), Le dernier métro (1980) and Dancer in the Dark (2000).
35 Juan Antonio Canta sings a song called "Catherine Deneuve".
36 Song "Catherine Deneuve and the Deus ex machina" is sung by band Kelly and the Kellygirls.
37 "Me and Catherine Deneuve Split up" is a song by Eton Crop.
38 Guest of Belgrade Film Festival. [2005]
39 She and Marcello Mastroianni made five movies together: One Hundred and One Nights (1995), Liza (1972), Don't Touch the White Woman! (1974), It Only Happens to Others (1971), and L'événement le plus important depuis que l'homme a marché sur la lune (1973).
40 Former spokesmodel for Chanel No. 5.
41 Is involved with Amnesty International's program to abolish the death penalty.
42 Member of the international jury of the Shangaï Television Festival. [1988]
43 Published a collection of diaries, "A l'ombre de moi-meme" (In my shadow). [April 2004]
44 Designer of glasses, shoes, jewelry, and greetings cards.
45 Sang duets with Bernadette Lafont, Gérard Depardieu, Malcolm McLaren, Joe Cocker and Alain Souchon. In 1981, she released an album with songs of Serge Gainsbourg.
46 Lived with Pierre Lescure from 1984 to 1991.
47 Her role in Mississippi Mermaid (1969) was played by Angelina Jolie in Original Sin (2001), the American remake of the movie.
48 Ex-mother-in-law of singer Benjamin Biolay.
49 Vice President of the Official Competition jury at the Cannes Film Festival. [May 1994]
50 Marilyn Monroe is her favorite actress, and The Misfits (1961) is her favorite movie starring Marilyn.
51 She speaks fluent French, Italian and English as well as semi-fluent German.
52 Has a brand of perfume named after her.
53 Was once fashion designer Yves Saint-Laurent's muse, who dressed her for the films Belle de Jour (1967), Heartbeat (1968), Mississippi Mermaid (1969), and Un Flic (1972).
54 Festival tribute at the Créteil International Women's Film Festival, France. [1994]
55 Has never performed in the theatre due to stage fright.
56 She liked Breaking the Waves (1996) by Lars von Trier so much that she wrote a personal letter to him, asking him for a role in a film of his. The result of this is her part in Dancer in the Dark (2000).
57 Sister of Sylvie Dorléac and Françoise Dorléac. Maternal half-sister of Danielle Dorléac, who was adopted by her stepfather and took his surname.
58 Catherine is the second of three daughters born to the French actors Maurice Dorléac and Renée Deneuve (whose name she uses).
59 Gave birth to her second child at age 28, a daughter Chiara Mastroianni on May 28, 1972. Father is Marcello Mastroianni.
60 Gave birth to her first child at age 19, a son Christian Vadim on June 18, 1963. Father is Roger Vadim.
61 Ranked #89 in Empire (UK) magazine's "Top 100 Movie Stars of All Time" list. [October 1997]
62 An archetype for Gallic beauty, her image was used to represent Marianne, the national symbol of France, from 1985 to 1989.
63 Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#38). [1995]

#Quote
1 [to Russian news agency TASS, November 2016] I would like to live here for several months and act in a film, as being a tourist one can discover practically nothing about the country, but when one works here, he or she learns a lot. In fact, everything depends not so much on the producer as on the story itself. I am French, I don't speak Russian, that is why a story must be found where I could play a role being a foreigner. This should be the script that would intrinsically fit within my character. As for producers, I like very much films of Andrey Zvyagintsev, but it he doesn't have a suitable scenario, nothing is going to work out.
2 Men don't understand that there are things that can only be shared with a woman. Disappointment shuts off my life flow. It is a physical thing. I feel it in my body. I can hurt people badly when I'm down, like a wounded animal. So I must be alone. Oh, not completely alone, that would be too frightening, but with a woman friend who will sit there in the silent room with me.
3 My relationships have never really lasted very long. I suppose there is something within me that is not right for that way of life.
4 I've had one motto which I've always lived by: dignity, always dignity.
5 [The Sunday Times, February 2006] You know, a doctor said something nice to me the other day, that the reason French people are the biggest consumers of sleeping pills and antidepressants is not because they give out more, but because the sensibility is different here. Maybe we don't try to fool ourselves. The problem with Prozac is that it has become a caricature, but when things become so much of a problem that you can't work any more, it's...
6 I rely on my instinct - what I have done is based on it.
7 We are not prepared for death. I was raised a Catholic but they cheat you. They tell you morbid preachments about death but nothing that you can deal with when it happens. Other religions do it better; the Chinese, the Indians. All that dear departed stuff, the heavy scene in church on the day of interment. My sister was a beautiful woman, my closest friend, my true love. Instead of sex education in the schools, they should give a course in death education. In living you find out about sex - but dying, how do you find out about that?
8 I am an actress, so I must live in a mirror... a goldfish bowl. Sometimes I run away to be completely by myself like a hermit. Other times, I read about my every move and date in the papers. It is one extreme or the other; this is not an ordinary life. Then there is my beauty, which is often a nuisance. So many men cannot treat me like an ordinary person. So often they act drunk; they hold too many doors and won't let me do anything for myself or they help me with packages when I don't want help. I also have to become suspicious whenever a man expresses any kind of interest in me. Usually he wants me for something... if not sex or a date, then an interview or a favor or a job or to introduce him to someone. Or to be seen with me. I receive letters from famous or rich men who say they will make a deal with me if I go out with them, to help them get publicity for their own purposes. I never agree to this. My professional life is commercial, and the commercial intrudes into my private life, but I will not willingly make my personal life commercial, too. I believe in the sincerity of the emotions. After all, what else if left if we take them away or put a price on them?
9 For a woman, I'm quite masculine, you know, in the relations I have toward people, men. All of them, I don't make much difference. And I think it's the way I'm quite straightforward, you know, and he can love me as a man. I understood what he meant, you know, because he has a very feminine quality and I have a masculine quality. I don't try to charm, I have quite strong and straight relations with people. In film it's different. In films you are a character and woman.
10 Now that people know nothing about my private life, they start guessing: is there still a man in her life and who is he then? When they see me two or three times with a female friend they say: we've always known that. Well, they can enjoy it to their heart's content, when they see me in 8 femmes (2002) with Fanny Ardant!
11 The relationship I had with Susan Sarandon was very good, and I think something came out of it onto the screen. You can tell. There was something very natural between us. She is a very warm lady. It was a very long shoot, and neither of us was in our own countries, so we spent a lot of time together. Afterward, we saw each other and wrote to each other. We have a bond. I have a picture of her children in my home. She is always in my mind and heart. Also I think the scene we did was very sophisticated and good-looking. I think it was a very idealistic image of women together, a very good thing to have on film for homosexuality.
12 There are many female columnists and women in general who hate me through jealousy. It is strange, because if they knew my looks make me no happier than anyone else, perhaps we could be friends.
13 Le dernier métro (1980) is the top of everything in my career. Not only is it a performance I am proud of but it is the best film I have been in. I am very proud to be in that film. (Interview with The Christian Science Monitor, 3/26/81)
14 [The Advocate, July 1995] I cannot imagine having a physical relationship with a woman. I have not done that. But I really love women. I have a very strong relationship with a woman that I have known for a long time. I knew her for some time before I knew that she was a lesbian, but that never changed anything about my relationship with her.
15 [Life Magazine, January 1969] I don't feel young anymore. So much happened to me between the ages of 17 and 22. I'm 25. It bears something definite about it. A quarter of a century. What frightens me is to find myself, all of a sudden, with life leaking through my fingers. I used to go out a lot. I used to love the night, to dance and see lots of people. Now I can no longer do it. I'm afraid of the night. I have such anguishes, such moments of distress when the day turns into night, and deep at night, also. What I love best is my house; it's where I feel most protected. I love having a few friends for dinner and cooking a special dinner for them. I can no longer be with strangers. If I stay in a hotel, I always prefer a room to a suite to avoid having strangers around.
16 In The Hunger (1983) it was apparently so astonishing that I played a vampire that only that aspect was commented, not that I seduced Susan Sarandon. Although, in America I heard that "The Hunger" is a cult movie now. I thought that was because of David Bowie, the incarnation of cult, but it was because of Susan and me. Well, I have to disappoint you all: our scene is shot with body doubles. On the premiere we saw shots we knew nothing of. Susan and I were used to doing nude shots, there was no reason to assume that we would refuse that scene if we were convinced of the need for it. It would have looked less rancid. Our face was not shown, there were no gentle gestures, it was just a clumsy fiddling of bodies with no sensuality.
17 [on Brigitte Bardot] I saw extracts of her book: they were the most horrible things you can possibly read. Imagine writing that you wanted to get rid of your baby son, as she did. Not being a good mother is her problem, but making it public like that... It could have been a very human piece of writing, but in her case it was just harsh and inhuman. I know her a little and she's a strange human being. She's very childish. She loves animals, because loving animals is very easy, but emotionally, I think she has a big problem. She's like someone who never grew up. I don't consider myself to be a grown-up person but I'm more interested in people than in animals. And I think that if you are involved as much as she is with animals, then there is something strange about your dealings with the human race. She's like a sauce which has curdled. There is nothing you can do. There is no hope.
18 Sometimes actresses have to worry about falling in love with bisexuals. It can be a problem, because some develop and attachment to a man who is more interested in men but wants to use her as... une barbe, how do you say, a beard... especially if the actress is popular. I am not at all prejudiced about anyone who is different, since I feel I myself am different, but one thing I do not want is to fall in love with a homosexual - or even a bisexual. This man, for me, must like women only. Otherwise, I am not comfortable in bed with him.
19 I'm extremely shy. I could never empty my handbag in front of anyone. I find it so excruciating to play nude scenes. For Belle de Jour (1967), in the most difficult scenes, to overcome my modesty I had to take a few strong drinks. One must always help oneself to reach where one must go. I got there I hope, but it was hell. I don't even run around naked in my own house very much. I don't think there are many actresses to whom nude, very explicit physical love scenes come easy. There's a simple reason for female reluctance. Clothes are like a new virginity, but, above all, not that many women are proud of their nude bodies.
20 When it comes to falling in love, experience doesn't help you in any way.
21 I couldn't do justice to the image media gave to me, by the way. Sometimes it's frustrating that people face me prejudiced. Especially in the beginning I feel a distance. But once people become acquainted closer with me, they are relieved in general.
22 [on female directors] I hope there is a difference between men and women. You don't think of it when you work. A man is supposed to be stronger, to be more tough, than a woman, but in the case of Emmanuelle Bercot, it's not that at all.
23 I'm not interested in giving more of myself than I've done. I've no desire to be more public. I'm not interested in talking about the past, because if you are still working, doing things, you have to look forward. You have to look for things, read things. Of course in my private life, I do look at the past.
24 I am a contradiction. I am impetuous. I go for what I want. I cannot wait to test the waters, I throw myself in. That's how I became a mother. I wanted those two children from those two men. Marriage, fatherhood, all that was a secondary consideration. I was only seventeen when I was with Roger Vadim. I was so in love with him. He was the first man I had loved. I wanted a child from that love. I needed to have that child. Roger didn't want to marry me, not when I was pregnant. But it never even crossed my mind not to have that child. It was natural and beautiful and important to me to have that baby. Then, after he was born, Roger wanted to marry but I rejected him. It was too late. Something important had gone out of it.
25 [differentiating her children's fathers] I raised my son, but we raised our daughter.
26 [on director Luis Buñuel]: Bunuel didn't like to talk too much. It would physically tire him. But we had a mute understanding.
27 I could never have been a model in the way actresses today are expected to be; I was never thin enough. I love a wonderful meal at the end the day and a good burgundy. I try to be careful but I am not American - I am not always worrying about calories and working out.
28 I like men who have a light spirit. It's okay to be serious about your work but in everyday life it's difficult to find men who are very alive and positive. In life I like people who are cheerful.
29 [on smoking] It's great. I'm not proud of it, but I'm not ashamed of it either. It's getting harder and harder in Europe. I light up from time to time, and that's when everyone flashes a camera at me. Those are the only shots anyone ever wants to use. So i'm described as an inveterate smoker.
30 I think the best decade of my life was between 40 and 50. Forty was the turning point for me as an actress.
31 I am a feminist through experience not choice. I was a feminist from a very early age because I am from a family of women, so it comes naturally to me. Over the years I have been involved with various causes for women.
32 [May 2012] My mother turned 100 this year. She lives alone in Paris; very independent but near to me, and she is quite incredible. She has a very good head; she still plays bridge, she still wins. Longevity may be in my genes but I don't know if I will live to be 100 because I have not had the same lifestyle as my mother - she never smoked. It may be different for me.
33 Why should I go to the States to do a film I wouldn't consider in Europe, just because it's English-speaking?
34 Hollywood was already changing when I went there in 1968. I love American directors. I would love to work for Francis Ford Coppola or Martin Scorsese. But they don't need European actresses.
35 I am shocked when people talk about me and sum me up as: blonde, cold, and solemn. People will cling on to whatever reinforces their own assumptions about a person.
36 I do prefer to start without any intention at all, rather than arrive with my own idea. I am incapable of deciding what a character is. At the same time, from the moment I have accepted the part and read the script, I know that things will circle in my mind. It won't happen all the time but nor will it ever stop entirely. But I am not obsessed, I don't have any trouble getting out of character, at night. I am always happy when filming and I am always happy to leave at night - it's true that there is always a kind of a nervous fatigue. Which I know is hidden away somewhere during the shoot. There are some things that fall into place without me doing anything. I know that now.
37 I was supposed to make a film with [Alfred Hitchcock]. It was set up north too, just like the Torn Curtain (1966). It was going to be a spy story. At the time it was still only a synopsis. I had lunch with him in Paris and he died some months later. I would have loved to work with him.
38 [on director Michael Mann] I watched Miami Vice (2006) again. I hadn't really liked it the first time round. But even so, it's a whole other way of filming, it's fascinating. There is a force, an incredible energy to it. His films are very long, but there are no gratuitous shots. When he decides to film the nape of an actor's neck, there is a real tension. It's there, it's not at all . . . an effect. It's surprising. He makes you feel the weight of things. -- Filmcomment, November 2008
39 I am incapable of working by myself without a director, without someone to coach me. But that doesn't tally at all with my idea of what a film character should be. I have to soak in what will happen on set, that day, the location, the light... I need to know what happens before in the story. To me, that is the most important thing: to relate to a character in relation to where we are in the film. Maybe it also has to do with the fact that I have never done any real character parts. Even with Tristana, which required a bit of character acting. But Luis Buñuel and I would talk off set, we had dinner together. The same is true of André Téchiné. We meet up but we always wind up talking about something else. And even though we have ended up talking about something unrelated, something useful has still come out of it. We have a conversation about something else but, at the same time, we are aware of what surrounds us, why we are here-the questions are very present in our head. But it is never straightforward. No, it is never straightforward.
40 When we are filming, I can concentrate very quickly, but it does tire me out. It throws me into such a state! A trance-like state. So, what I need is either a trick for a calm type of trance or a sleepwalking trick.
41 My relationship to character is made up of mental things that you should not put words to. To do so would be immodest. The most decisive moment of my work around a character happens as we are shooting. That moment is so tense, so exhausting that once it is over, I need fire doors between the set and me. Back in my dressing room or in the hotel, I shut myself off, because the state I am in on set is too exhausting.
42 [in 2008] I find cinema still very interesting. For me, to see a film, and to see a film and to be shown a story with actors that I like or actors that I don't know, it's always a discovery. I'm a great fan of films and I still go to see films in theaters. Even when I'm working, I try to see films. It's a desire, and it's something very important in my life. It's still something that I'm looking for, you know? It's like listening to music - it's part of my life.
43 [on Jean-Louis Trintignant] I adore working with him. He's so generous, he doesn't play only for himself, but for his partner. He's also concerned with everyone on a set. That's why the technicians have great respect and tenderness for him.
44 [on Gene Kelly] It was mostly an aura about him. For me he was Hollywood. The way I'd imagined it as a child.
45 What I don't like is close-ups, unless the actor is in the camera with me. I have to feel his presence. If I have to feel the presence of the camera before my partner's, it's very difficult. I love to do very long and complicated scenes. I like to have this impression that we are all working together, where you can see all the technicians and everybody is really doing the same thing at the same time. With close-ups, of course you have the crew there, but most of them are just around and it doesn't involve that many people.
46 Interviews are written by someone else - the journalist makes the decision to add or take things away and I couldn't recognize my voice, or anything of myself in that.
47 Interestingly, people who have come to visit me on set - which I don't like - they're very surprised and say that I'm not the person they know. I'm not available to them, I cannot go off with them, I cannot get involved in their conversations, so they get the impression that they're seeing someone else. I tell them, yes, I do love to see them after a shoot, but during the shoot, I am with the people I work with. They ask, how can I stand being on a set waiting for so long, and that it must be so boring. And I have to explain that to wait, for an actor, is not at all like someone who's waiting to see the doctor. It's not the kind of wait where you get bored. Even if I try to think about something else while I'm waiting, I am living with the film, with the scene. But I do often feel tired during the day, and I'm lucky because I can go to sleep very easily, for even 10 to 15 minutes, even if I'm in costume or under a wig, so I do.
48 I'm not always the nicest person to meet, because I forget very easily that I'm an actress when I'm not working. I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants. Then if something happens to remind me that I'm an actress then I become a little different and things become a little heavy. I like the advantages; I know it's not right but I like being famous when it's convenient for me and completely anonymous when it's not.
49 I like to be directed, it's true. If I didn't like that, I'd do something else. Being an actor means being an instrument for someone else.
50 [on her looks] I know that if I didn't look the way I looked, I would never have started in films. That, I remember, and I know I have to accept it.
51 I find sometimes that it's more difficult to do very simple, low-key films, like I've done with André Téchiné. Sometimes, at the end of a shoot with him, I feel very down, like I'm leaving something because these are low-key but novel characters. But when you do films like Repulsion (1965) or musicals, where you have to play someone so far away from yourself, what I do is I come in the morning and get involved in the character, but I'm always very pleased to leave it at night and have my life. No, I don't live that much with the character. I find it hard enough having to spend so many hours with the character during the day. Because you don't act all the time and you spend a long time waiting, but you still have to support this character all day long.
52 Directors have to push me because I never start [high] and then need to be pushed down; I have to be pushed up. Not all the time, but often.
53 But that's what I like about film - it can be bizarre, classic, normal, romantic. Cinema is to me the most versatile thing.
54 But being a film actor is very different from, say, a theater actor. You get involved with a character after spending a long time waiting, and this demands a lot of energy and concentration. So I am very involved with the character, but I have to leave it as soon as it's finished. And also, you always have to be at the right level when it's time to shoot, which is not always the best time for the actor. Sometimes, if you're shooting a complicated scene, you have to stay in a position and wait for the technician to do his job, and then you have to be where you're supposed to be, right on the spot. You don't rehearse all that much on films. If I think of the amount of time I spend on set compared with the time spent shooting, it's ridiculously short.
55 A star remains pinned on a wall in the public imagination.
56 To work is a noble art.
57 I don't see any reason for marriage when there is divorce.
58 I'm lucky. I'm getting older with some directors who are getting older.
59 People who know me know I'm strong, but I'm vulnerable.


Looks like we don't have Catherine Fabienne Dorléac trademarks information. Sorry!

Is Catherine Deneuve's Net Worth Deserved?

Check Also

Tracey Ullman Net Worth

Trace (sic) Ullman is an awarded television, film and stage actress, comedian, singer and dancer …