Home / Celebrity Net Worth / Producers / Amy Sherman-palladino Net Worth
Amy Sherman-Palladino Net Worth

Amy Sherman-palladino Net Worth, Biography, Wiki in 2017-2016

How rich is Amy Sherman-Palladino?

Amy Sherman-Palladino net worth:
$25 Million

Amy Sherman-Palladino information

Amy Sherman-Palladino information

Amy Sherman-Palladino profile links

Amy Sherman-Palladino profile links

Melissa Gorga

Laura Marano

Cassidy

Florence Henderson

More net worths

Amy Sherman-palladino Net Worth, Biography, Wiki 2017-2016

Amy Sherman-Palladino is an American television writer, director, and producer. The founder of Dorothy Parker Drank Here Productions, she is best known as the creator of the television series Gilmore Girls and Bunheads. She is also well known for her trademark rapid-fire dia... Wikipedia

A bit more about Amy Sherman-Palladino:

  • Filmography
  • Awards
  • Salaries
  • Facts
  • Quotes
  • Trademarks
  • Pictures


Writer

Writer

TitleYearStatusCharacter
The Marvelous Mrs. Maisel 2017 TV Movie pre-production
Gilmore Girls: A Year in the Life TV Mini-Series created by - 4 episodes, 2016 written by - 2 episodes, 2016
Bunheads TV Series created by - 18 episodes, 2012 - 2013 written by - 7 episodes, 2012 - 2013 story - 1 episode, 2012 teleplay - 1 episode, 2012
The Return of Jezebel James TV Series created by - 7 episodes, 2008 written by - 3 episodes, 2008
Gilmore Girls TV Series created by - 153 episodes, 2000 - 2007 written by - 48 episodes, 2000 - 2006 story - 2 episodes, 2002 - 2003 teleplay - 2 episodes, 2002 - 2003
Veronica's Closet TV Series 2 episodes, 1998 - 1999 head writer - 1 episode, 1999
Over the Top 1997 TV Series 1 episode
Love and Marriage 1996 TV Series created by - 8 episodes
Can't Hurry Love 1995 TV Series written by - 3 episodes
Roseanne TV Series written by - 10 episodes, 1990 - 1994 story by - 2 episodes, 1991 - 1992 teleplay by - 1 episode, 1992
City 1990 TV Series written by - 1 episode

Producer

Producer

TitleYearStatusCharacter
The Marvelous Mrs. Maisel 2017 TV Movie executive producer pre-production
Gilmore Girls: A Year in the Life 2016 TV Mini-Series executive producer - 4 episodes
Bunheads 2012-2013 TV Series executive producer - 18 episodes
The Wyoming Story 2010 TV Movie producer - as Amy Sherman
The Return of Jezebel James 2008 TV Series executive producer - 7 episodes
Gilmore Girls 2000-2006 TV Series executive producer - 131 episodes
Veronica's Closet 1998 TV Series executive producer - 2 episodes
Over the Top 1997 TV Series consulting producer - 12 episodes
Love and Marriage 1996 TV Series executive producer - as Amy Sherman
Roseanne TV Series co-supervising producer - 25 episodes, 1993 - 1994 co-producer - 12 episodes, 1993

Miscellaneous

Miscellaneous

TitleYearStatusCharacter
Roseanne TV Series story editor - 25 episodes, 1991 - 1992 executive story editor - 16 episodes, 1992 - 1993

Director

Director

TitleYearStatusCharacter
Gilmore Girls: A Year in the Life 2016 TV Mini-Series 2 episodes
Bunheads 2012-2013 TV Series 5 episodes
The Return of Jezebel James 2008 TV Series 2 episodes
Gilmore Girls 2001-2006 TV Series 15 episodes

Actress

Actress

TitleYearStatusCharacter
Alfred Hitchcock Presents 1986 TV Series Female Student #1

Soundtrack

Soundtrack

TitleYearStatusCharacter
Gilmore Girls: A Year in the Life 2016 TV Mini-Series lyrics - 1 episode

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2002 OFTA Television Award Online Film & Television Association Best Direction in a Comedy Series Gilmore Girls (2000) · Jamie Babbit
· Chris Long
· Lee Shallat Chemel
· Lesli Linka Glatter
· Gail Mancuso
· Bethany Rooney
· Lev L. Spiro
· Perry Lang
· Nicole Holofcener

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2006 Gold Derby TV Award Gold Derby Awards Comedy Episode of the Year Gilmore Girls (2000) · Kenny Ortega
2005 Gold Derby TV Award Gold Derby Awards Comedy Episode of the Year Gilmore Girls (2000)
2004 Gold Derby TV Award Gold Derby Awards Episode of the Year Gilmore Girls (2000)
2003 OFTA Television Award Online Film & Television Association Best Writing in a Comedy Series Gilmore Girls (2000)
2002 OFTA Television Award Online Film & Television Association Best Writing in a Comedy Series Gilmore Girls (2000) · Daniel Palladino
· Elaine Arata
· Linda Loiselle Guzik
· Sheila R. Lawrence
· John Stephens
1994 WGA Award (TV) Writers Guild of America, USA Episodic Comedy Roseanne (1988)
1993 Humanitas Prize Humanitas Prize 30 Minute Network or Syndicated Television Roseanne (1988)
1992 Primetime Emmy Primetime Emmy Awards Outstanding Individual Achievement in Writing in a Comedy Series Roseanne (1988) · Jennifer Heath (writer)


Looks like we don't have Amy Sherman-Palladino salary information. Sorry!


#Fact
1 Daughter of Don Sherman.
2 In 2010, a pilot was produced for the CW titled "The Damn Thorpes," a family drama set on a farm. Starring was Sean Faris as Gideon Thorpe, a 22 year old horse trainer who is forced to take care of his siblings and their ranch after their parents die. The pilot was ultimately not ordered to series. The cast included Scarlett Alice Johnson, Kathleen Chalfant & Alan Ruck.
3 Sherilyn Fenn was to have starred alongside Milo Ventimiglia and Rob Estes in the California-set spin-off "Windward Circle". After The WB dropped the project, Sherman-Palladino wanted to work with Fenn again and wrote the character of Anna Nardini with her in mind, in order to bring her back in the series. The character of Anna was originally to have a strong enough presence to be a potential threat to the character of Lorelai. However, after Sherman-Palladino left the show, the producers changed the direction originally intended for the character, as they decided to make her a villain in a custody battle.

#Quote
1 Many people in the business will refer to a woman who did something or acted a certain as "crazy." I then say, "Yyou have to define what 'crazy' is." To me, crazy is not someone who has a creative vision and will fight for it.
2 [on Hollywood trends] I always find it funny that people take the wrong message from any success. Like Bridesmaids (2011) comes out and people go, "Oh, women are funny, they shit in the street. Let's make sure now everybody shits in the street!" Not like, "OK, but it's a well-constructed script with very good characters and the core of it is actually about female relationships," nothing about that. They take the one shitting in the street thing and then for months you're going to have every actress that you love shitting in the street. Until they realize, "Oh, it doesn't work that way, I guess, so now women aren't funny." No, no, no! It's not that women aren't funny, it's just that all of them don't have to shit in the street!
3 I think music on television is just uniformly dreadful. It is mundane, it says nothing. They use it to say, "Here's a funny moment!" like everyone's retarded, you know? It's not an extension of the drama, it's distraction. It's like, "I'll distract you, so you won't know how shitty the show is."
4 I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper--and what you see and hear in your head--is to do it yourself.
5 I think the claustrophobic, too-many-cooks-in-the-kitchen scenario is what's killed the sitcom. My husband [frequent Gilmore Girls (2000) writer and director Daniel Palladino] and I consider ourselves sitcom refugees. We'd love to return to sitcom, but I don't know where you go to do it. You simply cannot do a sitcom by committee. It will not work. You've got to have one or two clean, creative voices in charge, and there's got to be some faith by the studio and network in those people to make the right choices. When you're sitting in a room with 20 people giving you notes, there's no way what you're going to get is going to be any good. It's impossible. At the very least, it will be mediocre, because you can only compromise so much before you damage the goods.
6 [on working conditions in Hollywood] If we based everything in Hollywood on who was a nice guy, holy moly, we would have no movies. No actors would work. This is not an industry that is ruled by kindness and generosity.
7 The plan on [The Return of Jezebel James (2008)] is the same as [Gilmore Girls (2000)]--to write, produce, do everything. It's love. I don't believe that bullshit, "If you love it, let it go". If you love it, stay there and make sure no one else fucks it up.
8 [about working with Sherilyn Fenn on Gilmore Girls (2000)] I love Sherilyn so much and I don't care [to cast her for two different roles on "Gilmore Girls"]. One thing about the show is I just want the best people. I've just been looking constantly for a time to work with Sherilyn, and I'm getting very old and I could just get hit by a truck at any minute. I just simply can't put it off that long, so I'd just rather get her in and have her part of my world.

#Trademark
1 For her directing style - the master shot is heavily featured to frame the actors saying their dialogue and interacting together in one single take.
2 Her work is usually executed in a screwball-comedy style, with rapid fire delivered dialogue full of obscure pop culture references.
Source: Celebrity Images

Is Amy Sherman-palladino's Net Worth Deserved?

Check Also

Rick Harrison Net Worth

American actor, television personality, television producer, as well as businessman Richard Kevin Harrison was born …